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FATHOM EVENTS, UNIVERSAL PICTURES AND DREAMWORKS PICTURES PROUDLY PRESENT GLOBAL COMEDY SENSATION JO KOY IN A ONE-NIGHT-ONLY LIVE IN-PERSON EVENT TO CELEBRATE THE RELEASE OF HIS GROUNDBREAKING NEW FEATURE FILM, EASTER SUNDAY

FATHOM EVENTS, UNIVERSAL PICTURES AND DREAMWORKS PICTURES PROUDLY PRESENT GLOBAL COMEDY SENSATION JO KOY IN A ONE-NIGHT-ONLY LIVE IN-PERSON EVENT TO CELEBRATE THE RELEASE OF HIS GROUNDBREAKING NEW FEATURE FILM, EASTER SUNDAY

Fathom Events’ Easter Sunday: Live with Jo Koy, featuring an exclusive comedic introduction with Jo Koy, takes place on August 4, 2022

Easter Sunday, from Universal Pictures and DreamWorks Pictures, arrives in theaters nationwide August 5.

DENVER, July 12, 2022 /PRNewswire/ — Global stand-up comedy sensation Jo Koy will bring his singular and hilarious take on family matters to theaters nationwide with an exclusive comedic introduction as part of a celebration of his groundbreaking new feature film, Easter Sunday. Ahead of the film’s nationwide release on August 5, Fathom Events will present Koy’s live introduction in more than 850 theaters across the country on August 4, followed immediately by a full screening of the film from Universal Pictures and DreamWorks Pictures.

See trailer HERE.

Koy’s live introduction takes place on Thursday, Aug. 4, at AMC Lincoln Square in New York City and it will play in theaters nationwide LIVE at 8:00 pm ET and 5:00 pm PT and tape-delayed at 8:00 pm CT/MT/ PT.

In Easter Sunday, Koy (Jo Koy: In His ElementsJo Koy: Comin’ in Hot) stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family in this love letter to his Filipino-American community. 

“Fathom Events is excited to present this exclusive, live introduction from Jo Koy to kick off the debut of Easter Sunday; it’s what Event Cinema is all about,” said Ray Nutt, CEO of Fathom Events. “Jo’s comedy is so hilarious because it’s so relatable. Who doesn’t have crazy holiday traditions with their family?”

Tickets to Easter Sunday and this special live comedic introduction can be purchased online at www.fathomevents.com or at participating theater box offices. For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change).

Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere (True LiesWayne’s World films), Brandon Wardell (Curb Your Enthusiasm series), Tony nominee Eva Noblezada (Broadway’s Hadestown), Lydia Gaston (Broadway’s The King and I), Asif Ali (WandaVision), Rodney To (Parks and Recreation series), Eugene Cordero (The Good Place series), Jay Chandrasekhar (I Love You, Man), Tiffany Haddish (Girls Trip) and Lou Diamond Phillips (Courage Under Fire).

Easter Sunday, from DreamWorks Pictures, is directed by Jay Chandrasekhar (Super TroopersThe Dukes of Hazzard, I Love You, Man), from a script by Ken Cheng (Sin City Saints series) and Kate Angelo (Sex Tape) based on a story by Ken Cheng.

The film is produced by Rideback’s blockbuster producers Dan Lin (The Lego Movie franchise, It franchise) and Jonathan Eirich (AladdinThe Two Popes), and is executive produced by Nick Reynolds, Joe Meloche, Jo Koy, Jessica Gao, Jimmy O. Yang, Ken Cheng and Seth William Meier

The film is distributed by Universal Pictures domestically. Amblin Partners and Universal share international distribution rights. 

Press Assets: Can be found HERE

About Fathom Events

Fathom is a recognized leader in the entertainment industry as one of the top distributors of content to movie theaters in North America. Owned by AMC Entertainment Inc. (NYSE: AMC); Cinemark Holdings, Inc. (NYSE: CNK); and Regal, a subsidiary of the Cineworld Group (LSE: CINE.L), Fathom operates the largest cinema distribution network, delivering a wide variety of programming and experiences to cinema audiences in all of the top U.S. markets and to more than 45 countries. For more information, visit www.FathomEvents.com.

SOURCE Fathom Events

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‘The Thing’ Theatrical Release from Fathom Events Was a Disaster But They’re Making It Right for Wednesday Night

‘The Thing’ Theatrical Release from Fathom Events Was a Disaster But They’re Making It Right for Wednesday Night

Spooky narratives tend to be scarier when experienced alone, and that’s why I’ve always preferred single-player horror gaming. That being said, there’s no denying that multiplayer has taken over videogames over this past decade, captivating players with the unpredictable thrills of online cat-and-mouse matches. Now that horror juggernauts like the Friday the 13th franchise and even Evil Dead have gotten in on the action, lesser-known properties like Full Moon Features’ massive catalogue of B-movies have also been getting the multiplayer treatment with projects like October Games’ upcoming Puppet Master: The Game.

Of course, there’s still an untapped well of memorable scary movies that could be translated into entertaining interactive experiences, and that’s why we’ve come up with this list of horror films that deserve their own multiplayer videogame adaptations.

While this list is based on personal opinion, there are a couple of ground rules. First of all, no movies that have already been turned into licensed multiplayer videogames (though other kinds of games are okay). We’ll also be focusing solely on direct adaptations, so no licensed DLC for titles like Dead by Daylight. Lastly, these entries have been selected according to the potential entertainment factor of a licensed videogame, not necessarily the overall quality of the movies themselves.

As usual, don’t forget to comment below if you think we missed any entertaining horror flicks that would make for entertaining multiplayer games.

Now, onto the list…


6. A Quiet Place (2018)

horror multiplayer quiet place

While you have to accept quite a few logical inconsistencies in order to enjoy John Krasinski’s insanely popular A Quiet Place movies (like how survivors never have to deal with noise-producing bodily functions and the flimsy reasoning for how the aliens differentiate human sounds from natural ones), even the harshest critic has to admit that the films’ sound-based paranoia would make for a great videogame mechanic.

An online title where players are tasked with outsmarting the so-called “Death Angels” during hazard-filled levels sounds like a nail-bitingly intense experience with lots of replay value. You could even have some players take on the role of the blind invaders, searching for prey via some form of sonar-vision.

Another film that could be adapted into a game with similar mechanics would be Tremors, though the underground nature of the iconic Graboids means that they would probably be less fun to play than A Quiet Place’s Death Angels. On that note, a single-player experience based on A Quiet Place is actually in the works from Saber Interactive, last we heard!


5. Poltergeist (1982)

Best Horror Films

Masked killers and monstrous creatures can be scary, but what about inanimate objects coming to life and trying to eliminate players as they attempt to rid a seemingly ordinary house of paranormal activity? This thrilling setup is why I think Tobe Hooper’s Poltergeist could be the perfect basis for an online multiplayer horror experience where parapsychologists team up to battle a hostile environment taken over by unseen spirits.

Think Luigi’s Mansion meets Ghost Hunters as an online Poltergeist game could allow players to explore haunted houses and perform exorcisms while a phantom puppet master pulls invisible strings and tries to eliminate the investigators. Hell, you could even have a “this house is clean” message pop up onscreen after a successful match-up against the spirits!


4. Child’s Play (1988)

Don Mancini’s iconic killer doll has only ever showed up in a single videogame, starring in a disappointing endless runner titled Chucky: Slash & Dash that was released exclusively for iOS back in 2013. However, with the recent success of SyFy’s Chucky series, I think this is the perfect time to bring Charles Lee Ray back for some pint-sized serial-killing mayhem.

A multiplayer take on Child’s Play could see the villainous Good Guy doll try to complete a voodoo ritual while cooperating players attempt to thwart his bloody plans and destroy the plastic murderer once and for all. The franchise’s recent additions to the mythology could even justify the inclusion of multiple killer Good Guys in the game, not to mention fan favorites like Tiffany and Glen/Glenda!


3. Death Proof (2007)

horror multiplayer death proof

Not only is Death Proof one of Quentin Tarantino’s most underrated features (it’s like a car-based slasher and slasher sequel all rolled into one), but it could also be turned into a kick-ass videogame if put in the hands of a competent developer.

All they would have to do is borrow the hide-and-seek mechanics of titles like Dead by Daylight and combine them with the vehicular madness of classics like Twisted Metal or even Burnout, forcing players to survive thrilling car chases as a murderous stuntman attempts to bring them down in a more horror-centric take on the battle-racing genre.

Of course, there are other films that developers could look to for inspiration when crafting a game like this, such as Stephen King’s Maximum Overdrive or even Christine.


2. Dracula (1931)

Last Voyage of Demeter

There have been over two hundred cinematic adaptations of Bram Stoker’s Dracula over the years, with even more set to release in the near future. However, in the world of videogames, the character has only ever shined as the antagonist of the Castlevania series, with few legitimate attempts at bringing Stoker’s gothic yarn to gaming. I think that’s a real shame when you consider how easily this story could be gamified.

In fact, the more a hypothetical Dracula title adhered to Stoker’s original vision, the more fun the resulting game would be. An asymmetrical battle between a close-knit group of protagonists (featuring scholars, vampire hunters and badass doctors) working together to bring down an ancient demon with a fearsome array of supernatural powers could be ridiculously fun without losing track of the human element that made the original story so compelling in the first place.


1. Invisible Man (1933) / Invisible Man (2020)

H.G. Wells’ The Invisible Man isn’t just one of the first literary examples of a psychopathic supervillain, he’s also an incredibly versatile character that could easily be inserted into a multiplayer horror game. Think about it: a group of ill-fated players are tasked with tracking down the invisible killer in a closed environment, looking for the faintest traces of an unseen presence as one murderous player tries to remain undetected and manipulates the level in order to defeat his pursuers.

An interactive Invisible Man game would be like virtual hide-and-seek on steroids, with players attempting to outsmart each other in a paranoid experience rivalling even the best matches of Dead by Daylight or Friday the 13th. You could even bring in elements from Leigh Whannell’s more recent adaptation, with the invisibility powers coming from a rechargable hi-tech suit rather than a mysterious serum, giving players more of a fighting chance against the invisible menace.

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Fathom Events, Spain’s Bosco Partner to Release Documentary ‘Alive’ in 700 North American Screens (EXCLUSIVE)

Fathom Events, Spain’s Bosco Partner to Release Documentary ‘Alive’ in 700 North American Screens (EXCLUSIVE)

Fathom Events and Spain’s Bosco Films are partnering to bring faith-based documentary “Vivo” (“Alive”) to about 700 North American locations on April 25.

Produced by Hakuna Films and directed by Jorge Pareja, “Alive” narrates four real-life stories filmed in Spain of people who tell how Christian’s Eucharist transformed their lives.

“Alive,” which previously bowed by Bosco in Spain and 14 Latin American territories, marks the Spanish indie distributor’s leap into the international market, where it’s been closing a bundle of exhibition agreements with local and international operators.

The peak in “Alive’s” international theatrical career comes with the U.S. release after the Fathom Events deal.

“In the event cinema business, we see that people come to the theater in groups, having a true community experience,” said Ray Nutt, CEO of Fathom Events. 

“To be able to bring this same experience to the Spanish speaking community is very important to us. Our goal is to provide a variety of programming experiences to a wide array of audiences, nationwide.”

“We hope that this window open for Spanish cinema will no longer close,” said Lucía González-Barandiarán, Bosco Films founder.

“There is a huge boom in inspirational cinema in the U.S. Especially in the post-pandemic era, people are looking for other kinds of content and proving they are a loyal and big audience. The platforms, at least in Europe, have not yet realized the gold mine that exists behind that line,” she added.

Released in Spain on April 9, 2021, “Alive” reached the local box office’s top 10 with only six prints, averaging a healthy €5,582 ($6,231). By year’s end, it snagged a $269,021 box office, the third best result for a local documentary last year.

Bosco also launched the film in Mexican theaters in November, in 30 locations, debuting at the eighth position at the local box office. In Colombian theaters, the film has sold nearly 100,000 tickets.

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Lucia Gonzalez Barandiaran, Bosco Films
Courtesy of Bosco Films

“Alive” bowed in 14 Latin American territories after Bosco inked deals with regional exhibitors such as Cinemex, Cinemark and Hoyts, but also with local indie theatrical chains for territories such as Argentina and Uruguay.

The film has also been sold to indie distributor Rafael Film in Poland and to Saje for France, Belgium and Switzerland. Deals are in final negotiations in territories such as Brazil and Slovakia, while Bosco is in talks with operators in Germany, Austria and Korea. 

Bosco is already preparing the Latin American theatrical releases for this year of two more faith-based Spanish films: “Claret,” a biography of Spanish Roman Catholic archbishop and missionary Antonio Maria Claret, and “La sirvienta,” about Santa Vicenta María.

A fourth title acquired by Bosco to be released in the region is Thierry Demaizière and Alban Teurlai’s French documentary “Lourdes,” which sold 250,000 tickets in France, handled by Mars Distribution.

Since its launch in 2017, Bosco has distributed about 20 films in Spain, at the same time providing communication and marketing services to companies such as Universal, Sony, Diamond Films, Flins & Pinículas, Vercine and Márgenes.

“We specialized in a niche film distribution, studying in depth the needs of an audience and seeking to respond effectively to them. This is what has kept us afloat,” González-Barandiarán said.