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Editors’ Picks: 13 Events for Your Art Calendar This Week, From Paola Pivi’s Immersive Denim Tunnel to a Fountain Sculpture at Rock Center | Artnet News

Editors’ Picks: 13 Events for Your Art Calendar This Week, From Paola Pivi's Immersive Denim Tunnel to a Fountain Sculpture at Rock Center | Artnet News

Each week, we search for the most exciting and thought-provoking shows, screenings, and events, both digitally and in-person in the New York area. See our picks from around the world below. (Times are all ET unless otherwise noted.)

Jeppe Hein calls his water-based fountain sculptures “liquid architecture.” His latest interactive water pavilion work at Rockefeller Center will feature four concentric circles of sprinkler “walls” which rise and fall at random, the water creating an ever-changing artwork that doubles as a respite from the summer heat.

Location: Rockefeller Center, Center Plaza, 45 Rockefeller Plaza, New York
Price: Free
Time: On view daily at all times

2. “M.A.L.E.H.: Messages About the Landscapes of the End of the History, Never Again Edition” at Elma, Brooklyn

For two years, the Ukrainian artist Anton Varga painted apocalyptic landscapes and failed utopias, often using the imagery of Socialist Realism. The works were a way of communicating what he saw as the beginning of the “End of History,” he has written, “and its arrival is expressed in the painful disappearance of utopian will from our societies.” Then Russia invaded Ukraine and similarly dystopian imagery began appearing everywhere. So he stopped the series, darkly pronouncing to himself, “never again.” Proceeds from the sale of works will be donated to Ukrainian aid group Come Back Alive.

Location: Elma, 216 Plymouth St., Brooklyn
Price: Free
Time: Saturday–Sunday, 12 p.m.–6 p.m. or by appointment

—Rachel Corbett

 

Wednesday, June 22–May 2023

Meriem Bennani, <em>Windy</em>. Photo courtesy of High Line Art and Audemars Piguet Contemporary.

Meriem Bennani, Windy. Photo courtesy of High Line Art and Audemars Piguet Contemporary.

3. “Meriem Bennani: Windy” at the High Line, New York

High Line Art unveils its latest work, a co-commission with Audemars Piguet Contemporary that is the first kinetic sculpture by Meriem Bennani, as well as her first sculpture that doesn’t incorporate any video.

Location: High Line, West 24th Street and 10th Avenue, New York
Price: Free
Time: On view daily at all times

—Sarah Cascone

 

Thursday, June 23–Friday, July 15

Honor Titus, <em>Thy Margent Green</em> (2021). Courtesy of Timothy Taylor, New York and London.

Honor Titus, Thy Margent Green (2021). Courtesy of Timothy Taylor, New York and London.

4. “Spotlight: Honor Titus” at the Flag Art Foundation, New York

Flag’s Spotlight series pairs a new or previously unseen work of art with a commissioned text. This time around, it’s writer and editor Derek Blasberg with Honor Titus’s 2022 painting Thy Margent Green.

Location: The Flag Art Foundation, 545 West 25th Street, 9th Floor, New York
Price: Free
Time: Wednesday–Saturday, 11 a.m.–5 p.m.

—Sarah Cascone

 

Thursday, June 23–Friday, July 29

Paola Pivi, <eM>Free Land Scape</em>. Photo courtesy of Perrotin, New York.

Paola Pivi, Free Land Scape. Photo courtesy of Perrotin, New York.

5. “Paola Pivi: Free Land Scape” at the Perrotin, New York

At last month’s Frieze New York, Paola Pivi was behind one of the art fair’s most talked-about works, a sculpture of the Statue of Liberty with an emoji-like mask, inspired by her adopted son’s extended immigration battle. A larger version, titled You know who I am, is on view on view at the High Line through next spring, and the artist also has a solo show at Perrotin featuring an immersive installation. Pivi takes over the gallery’s third floor with Free Land Scape, an 80-foot-long denim tunnel.

Location: Perrotin, 130 Orchard Street, New York
Price: Free
Time: Tuesday–Saturday, 10 a.m.–5 p.m.

—Sarah Cascone

 

Thursday, June 23–Friday, August 5

Misheck Masamvu, <em>Pink Gorillas in Hell are Gods</em> (2019), detail. Courtesy of Marianne Boesky Gallery, New York.

Misheck Masamvu, Pink Gorillas in Hell are Gods (2019), detail. Courtesy of Marianne Boesky Gallery, New York.

6. “Marianne Boesky Gallery x Goodman Gallery: Fragile Crossings” at Marianne Boesky Gallery, New York

This two-part show opens this week at Marianne Boesky Gallery in New York, and on July 21 at Goodman Gallery in London. It features sculpture, installation, film, and painting by artists from both dealers, including Ghada Amer, Sanford Biggers, Kapwani Kiwanga, and Misheck Masamvu. The overarching theme is about global instability and the fragility of the human condition, with art responding to issues such as global warming, the African diaspora, and the slave trade.

Location: Marianne Boesky Gallery, 507 West 24th Street, New York
Price: Free
Time: Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

 

Monir Shahroudy Farmanfarmaian, Untitled (2015). Courtesy of James Cohan, New York.

Monir Shahroudy Farmanfarmaian, Untitled (2015). Courtesy of James Cohan, New York.

7. “Monir Shahroudy Farmanfarmaian: The Language of Symbols” at James Cohan, New York

Iranian artist Monir Shahroudy Farmanfarmaian achieved late-in-life fame for her cut-glass mosaic technique. But the same geometric forms that appear in her sculptures are also the basis for her far less recognized drawing practice. James Cohan looks to celebrate this important aspect of Farmanfarmaian’s career with a show featuring early works on paper as well as later geometric drawings, demonstrating her long-term engagement with spacial thinking.

Location: James Cohan, 48 Walker Street, New York
Price: Free
Time: Opening reception, 6 p.m.–9 p.m.; Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

 

Friday, June 24-Monday, August 1

Blair Borthwick, Starkeepers. Image courtesy the artist and Matriark.

Blair Borthwick, Starkeepers. Courtesy of the artist and Matriark.

8. “Blair Borthwick: The Way You Embrace the Stars and the Moon” at Matriark, Sag Harbor

This solo art show featuring a new body of work from Shelter Island-based artist Blair Borthwick, who left a corporate finance career to study at the Parsons School of Design and the Art Students League in New York. Her works in painting, drawing, and collage, which recall Abstract Expressionism, are deeply rooted in the exploration of self. The show is located inside Matriark, a retail space founded by Brazilian-born entrepreneur Patricia Assui Reed that looks to celebrate women designers and artisans.

Location: Matriark, 133 Main Street, Sag Harbor, New York
Price: Free
Time: Opening reception, 5 p.m.–7 p.m.; 10 a.m.–6 p.m.

—Eileen Kinsella

 

Friday, June 24

Jan Steven van Calcar, Muscle figure, (detail) from Andreas Vesalius, De humani corporis fabrica libri septem (1543), page. 170–171. Courtesy of the Getty Research Institute.

Jan Steven van Calcar, Muscle figure, (detail) from Andreas Vesalius, De humani corporis fabrica libri septem (1543), page. 170–171. Courtesy of the Getty Research Institute.

9. “The Polykleitos Problem: Illusions of the Ideal in European Anatomical Images” at the Getty Center, Los Angeles

This virtual talk by University of California at Irvine professor Lyle Massey will explore some of the problems confronting early modern anatomists as they tried to define and grasp the human body. For instance, in De humani corporis fabrica (1543), a foundational volume for modern anatomy, writer Andreas Vesalius instructs his readers to find and dissect a human body that looks like an ancient Greek sculpture by Polykleitos. Although almost none of the bodies he himself dissected looked that way, the illustrations in his influential publication rely heavily on tropes of antique male muscularity and direct references to Greek statues. Many anatomical treatises portray the human body as more permeable, abstract, and resistant to Vesalian norms.

Price: Free with registration
Time: 3 p.m.–4 p.m.

—Eileen Kinsella

 

Saturday, June 25–Friday, August 12

Joshua Petker, <em>Pink Promenade</em> (2022). Courtesy of Rachel Uffner, New York.

Joshua Petker, Pink Promenade (2022). Courtesy of Rachel Uffner, New York.

10. “Joshua Petker’s Serenade” at Rachel Uffner, New York

In his first solo show at the gallery, Los Angeles painter Joshua Petker draws on a wide range of influences to create kaleidoscope-colored canvases with overlapping layers of images that recall the work of Francis Picabia. The result, which is something of a cross between psychedelic rock posters and traditional stained-glass windows, contains references to everything from historical European paintings to cartoon-like, mid-century fairy tale illustrations to tarot cards.

Location: Rachel Uffner, 170 Suffolk Street, New York
Price: Free
Time: Opening reception, 6 p.m.–8 p.m.; Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

 

Saturday, June 25–Sunday, September 25

Portia Munson, <em>Reflecting Pool</em> (2013). Photo by JSP Photography, courtesy of Portia Munson.

Portia Munson, Reflecting Pool (2013). Photo by JSP Photography, courtesy of Portia Munson.

11. “Portia Munson: Flood” at Art Omi, Ghent, New York

You might know Portia Munson for her monochromatic installations of all manner of pink objects, from dolls to dildos. Her monumental sculpture Reflecting Pool does the same thing for the color blue, filling a 15-foot-wide above-ground swimming pool with a profusion of mass-produced blue plastic objects. Arranged in a pleasing gradient from dark to light, the display is at once visually appealing and depressing in that it illustrates the waste and disposability of commodification. If you haven’t seen this work in person—it appeared at the 2019 invitational exhibition at New York’s Academy of Arts and Letters—it’s really not to be missed. The exhibition features two additional sculptural installations, including a new work, Blue Altar, with blue plastic items displayed on a shrine-like bedroom vanity, and a dozen small paintings, all on the theme of water.

Location: Art Omi, Newmark Gallery, 1405 Co Rte 22, Ghent, New York
Price: $10 suggested donation
Time: Opening reception, 6 p.m.–8 p.m.; 9 a.m.–5 p.m.

—Sarah Cascone

 

Sunday, June 26

Photo by JJ Shulin, Courtesy of Children's Museum of the Arts.

Photo by JJ Shulin, Courtesy of Children’s Museum of the Arts.

12. “Children’s Museum of the Arts Beach Block Party” at Spring Street Park, New York

This outdoor festival will feature a wide range of projects with artists in residence at the Children’s Museum of the Arts, from spin art and plastic bag weaving to crustacean mosaics and “mer-made” costumes. There will be music courtesy of Duneska Suannette Michel, also known as DJ Luni, as well as popular beach activities including sand castles and volleyball.

Location: Spring Street Park, 6th Avenue, New York
Price: Free
Time: 12 p.m.–3 p.m.

—Sarah Cascone

 

Through Friday, July 1

Clementine Keith-Roach, <em>New Mourning</em> (2022). Photo courtesy of P.P.O.W., New York.

Clementine Keith-Roach, New Mourning (2022). Photo courtesy of P.P.O.W., New York.

13. “Clementine Keith-Roach and Christopher Page: Knots” at P.P.O.W., New York

Artist couple Clementine Keith-Roach and Christopher Page share a home and two kids, but this is the first time they’ve had a gallery show together. The exhibition pairs Page’s trompe l’oeil paintings mimicking windows with Keith-Roach’s powerful feminist take on terracotta vessels, which feature casts of her own body.

Location: P.P.O.W., 392 Broadway, New York
Price: Free
Time: Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

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Editors’ Picks: 12 Events for Your Art Calendar, From the Return of Asia Week IRL to an Anti-Patriarchy Billboard Blitz | Artnet News

Editors’ Picks: 12 Events for Your Art Calendar, From the Return of Asia Week IRL to an Anti-Patriarchy Billboard Blitz | Artnet News

Each week, we search for the most exciting and thought-provoking shows, screenings, and events, both digitally and in-person in the New York area. See our picks from around the world below. (Times are all ET unless otherwise noted.)

 

Tuesday, March 15

Barbara Chase-Riboud, Malcolm X #3, (1969), 125th Anniversary acquisition. Purchased with funds contributed by Regina and Ragan A. Henry, and with funds raised in honor of the 125th Anniversary of the museum in celebration of African American art, 2001-92-1) © Barbara Chase-Riboud.

Barbara Chase-Riboud, Malcolm X #3, (1969), 125th Anniversary acquisition. Purchased with funds contributed by Regina and Ragan A. Henry, and with funds raised in honor of the 125th Anniversary of the museum in celebration of African American art, 2001-92-1) © Barbara Chase-Riboud.

1. “(Re)membering through Repetition: Seriality and Memorial Art” at the Philadelphia Show

Jessica Todd Smith, curator of American art at the Philadelphia Museum of Art, and Gwendolyn DuBois Shaw, associate professor at the University of Pennsylvania, will discuss the museum’s new show, “Elegy: Lament in the 20th Century.” The exhibition explores how artists living and/or working in the U.S. during the 20th century have responded to tragedy, grappled with mortality, and honored those who have passed. The virtual presentation will focus on series and repetition in the Malcolm X sculptures by Barbara Chase-Riboud and the “Elegy to the Spanish Republic” paintings by Robert Motherwell.

Price: Free with registration
Time: 5:30-6:30 p.m.

—Eileen Kinsella

 

Wednesday, March 16

Terry Allen, <em>MemWars</em> (2016), still, three channel video. Photo ©Terry Allen, courtesy of L.A. Louver, Venice, California.

Terry Allen, MemWars (2016), still, three channel video. Photo ©Terry Allen, courtesy of L.A. Louver, Venice, California.

2. “Artist Talk: Terry Allen” at the Blanton Museum of Art, University of Texas at Austin

On the occasion of his current exhibition “MemWars” (through July 10), Texas musician, songwriter, and visual artist Terry Allen talks with Blanton deputy director Carter E. Foster about his creative process and how he integrates music, performance, theater, and drawing into his work. It’s part of the museum’s ongoing virtual “Curated Conversations” series.

Price: Free or pay-what-you-wish with registration
Time: 1 p.m.

—Sarah Cascone

 

Wednesday, March 16–Friday, March 25

Pichhvai of Dana Lili (The demanding of toll), Deccan, possibly Hyderabad (mid-19th century). Photo courtesy of Francesca Galloway, London.

3. “Asia Week New York

Timed to 14 in-person auctions and six online sales at Bonhams, Christie’s, Doyle, Heritage Auctions, iGavel, and Sotheby’s, Asia Week New York returns to its in-person format this year with 22 international dealers setting up shop at host galleries, mostly on the Upper East Side. With work from across the Asian continent ranging from 2,000 BCE to the present day, expect museum-quality art in a wide range of mediums, including textiles, ceramics, and basketry, as well as prints and paintings. San Francisco’s Art Passages is bringing a major painting by Gobind Singh, a court artist to the Mughal Emperor Shah ‘Alam, from the year 1760. DAG, a New York gallery specializing in India’s modern masters, is showcasing 10 of the nation’s trailblazing women artists from the 20th century, including Ambika Dhurandhar, the first Indian women to receive a formal art degree, and Mrinalini Mukherjee, who had a stunning solo show at the Met Breuer in 2019 and is among the artists featured in the upcoming Venice Biennale. Fu Qiumeng Fine Art, a New York gallery that is participating for the first time, is offering collaborative works that meld the techniques of classical ink painting with photography by Chinese American artist Arnold Chang, who lives in New Jersey, and American photographer Michael Cherney, who lives in Beijing.

Location: Various
Price: Free
Time: Times vary

—Sarah Cascone

 

Through Thursday, March 17

Installation view of “Consequences: A Parlor Game,” at the National Arts Club, New York. Photo by Arturo Sánchez, courtesy of the National Academy of Design.

Installation view of “Consequences: A Parlor Game,” at the National Arts Club, New York. Photo by Arturo Sánchez, courtesy of the National Academy of Design.

4. “Consequences: A Parlor Game” at the National Arts Club, New York

Peter Halley, Trenton Doyle Hancock, Rashid Johnson, and Julie Mehretu are among the artists featured in this group show organized by the National Academy of Design. Curated by Sara Reisman and Natalia Viera Salgado, the exhibition is a celebration of abstraction in all forms—hard edge, gestural, conceptual—recognizing both its importance in art history and the way it frees artists from the limits of representation, particularly in times of political crisis. Because each artist selected their contributions on their own, the show takes its title from a Surrealist game in the style of mad libs or exquisite corpse, in which participants collectively write a story or complete a drawing without knowing what the others have added.

Location: National Arts Club, 15 Gramercy Park S, New York
Price: Free; reservation required to visit the upstairs parlors
Time: Monday–Sunday, 10 a.m.–5 p.m.

—Tanner West

 

Friday, March 18

Buddha attended by two bodhisattvas, Gandhara, Peshawar region, Pakistan, inscribed and dated 'Year 5,' possibly equivalent to AD 235 in the reign of Kanishka II. Schist. On loan from a private collection. sold for $6,630,000 at Christies in October 2020. Photo courtesy of the Metropolitan Museum of Art, New York.

Buddha attended by two bodhisattvas, Gandhara, Peshawar region, Pakistan, inscribed and dated ‘Year 5,’ possibly equivalent to AD 235 in the reign of Kanishka II. Schist. On loan from a private collection. The work sold for $6,630,000 at Christie’s New York in October 2020. Photo courtesy of the Metropolitan Museum of Art, New York.

5. “Annual Distinguished Lecture on the Arts of South and Southeast Asia—Buddhist Art of Gandhara and the ‘Year 5’ Buddha: Exploring Its Place in Time, Space, and Practice” at the Metropolitan Museum of Art, New York

For this annual lecture at the Met, Juhyung Rhi, a professor of archaeology and art history at Seoul National University, will talk about the significance of a rare schist relief sculpture of the Buddha that sold for $6.6 million at Christie’s New York in October 2020. Known as ‘Year 5’ Buddha, it is one of only five known extant dated Gandharan sculptures.

Location: The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium, 1000 Fifth Avenue, New York
Price: Free with registration
Time: 4:30 p.m.–5:30 p.m.

—Nan Stewert

 

Friday, March 18–Monday, January 16, 2023

Hua Khar, <em>Course of the Lifespan Principle</em> (1995–1996). Collection of the Rubin Museum of Art, gift of Shelley and Donald Rubin Private Collection.

Hua Khar, Course of the Lifespan Principle (1995–1996). Collection of the Rubin Museum of Art, gift of Shelley and Donald Rubin Private Collection.

6. “Healing Practices: Stories from Himalayan Americans” at the Rubin Museum of Art, New York

Timed to Asia Week, the Rubin Museum’s new show is an exploration of Tibetan Buddhist artworks related to healing and mental, physical, and spiritual practices for well-being. Tickets for Friday’s opening night party (6 p.m.–10 p.m.) with a performance by Yesh and Nathan Harrington are sold out, with limited walk-in tickets available.

Location: Rubin Museum of Art, 150 West 17th Street, New York
Price: $19 general admission; free entry March 18–20
Time: Thursday, Saturday, and Sunday, 11 a.m.–5 p.m.; Friday , 11 a.m.–10 p.m.

—Sarah Cascone

 

Friday, March 18–Wednesday, June 1

Tomashi Jackson, preparatory works for <em>Moonfolk: Passages Toward Greater Understanding</em>. Courtesy of Children's Museum of the Arts, New York.

Tomashi Jackson, preparatory works for Moonfolk: Passages Toward Greater Understanding. Courtesy of Children’s Museum of the Arts, New York.

7. “Moonfolk: Passages Toward Greater Understanding” from the Children’s Museum of the Arts, New York

The Children’s Museum of the Arts has partnered with ArtBridge, which organizes public art shows on construction fencing and scaffolding, on a new mural by Tomashi Jackson on the theme of world peace. An accompanying exhibition features artworks made in response to Jackson’s work by New York City children ages four to 12. The show is part of the NYC Department of Cultural Affairs’s “City Canvas” program, which installs art on temporary protective barriers at construction sites. In celebration of the opening, the museum is holding a tour of the exhibition followed by a sparkling cider toast and mural-making party.

Location: Google campus, St. John’s Terminal, 550 Washington Street, reception at Restorative Ground, 345 Hudson Street
Price: Opening reception free with registration
Time: Opening reception, 4 p.m.; otherwise on view daily at all times

—Sarah Cascone

 

Through Sunday, March 20

Shikō Munakata, <em>Mukō-machi: Crossing Point of Highways</em>, "Tōkaidō Series" (1964), detail. Photo by Nicholas Knight and Eline Mul. Collection of Japan Society. ©Shikō Munakata.

Shikō Munakata, Mukō-machi: Crossing Point of Highways, “Tōkaidō Series” (1964), detail. Photo by Nicholas Knight and Eline Mul. Collection of Japan Society. ©Shikō Munakata.

8. “Shikō Munakata: A Way of Seeing” at the Japan Society, New York

It’s your last chance to see this exhibition of nearly 100 works by Shikō Munakata, a Japanese artist who lived from 1903 to 1975 and was known for his woodblock prints. The Japan Society has the nation’s largest collection of his work, including some pieces made there during Munakata’s first visit to the U.S. in 1959, as a fellow of the institution’s Print Artists Program. Highlights include his “Tōkaidō” Series (1964), depicting scenes along the route between Tokyo and Kyoto, shown in its entirety for the first time since 1965, as well as examples of his calligraphy, sumi ink paintings, watercolors, lithography, and ceramics.

Location: Japan Society, 333 East 47th Street, New York
Price: $12 general admission
Time: Monday, Wednesday–Sunday,12 p.m.–6 p.m. (extended hours for the closing days of the show)

—Sarah Cascone

 

Through Sunday, April 3

Holly Silius, <em>Phantom Feels</em>. Photo courtesy of SaveArtSpace.

Holly Silius, Phantom Feels. Photo courtesy of SaveArtSpace.

9. “Patriarchy RIP” at SaveArtSpace, in nine cities across the U.S.

Pussy Riot’s Nadya Tolokonnikova curated this nationwide public art show from SaveArtSpace, taking over billboard ad space in cities including Atlanta, Birmingham, and New Orleans. The exhibition, up for Women’s History Month, is meant to call attention to the gender pay gap in the art world, where women still account for just 2 percent of sales at auction. Artists Michele Pred and Autumn Breon have three billboards featuring works from their initiative the Art of Equal Pay. Pred launched the project in 2020 on March 15, which is known as Equal Pay Day—because that’s how long the average woman would have to work into the new year to match the salary earned by her male counterparts. The New York billboard features a piece from Holly Silius’s new series, “Phantom Feel,” showing stone sculptures of torsos inspired by writer and actor Lio Mehiel’s top surgery removing their breasts.

Location: Various locations in nine states, including Forsyth Street and East Broadway, New York
Price: Free
Time: On view daily at all times

—Sarah Cascone

 

Through Sunday, May 8

"Kia

10. “Kia LaBeija: Prepare My Heart” at Fotografiska, New York

In her first solo show, photographer Kia LaBeija presents a deeply personal, autobiographical body of work about growing up HIV positive, the loss of her mother—an AIDS activist who died from complications of the disease—and finding herself in New York’s Ballroom dance scene. (The former “mother” of the House of LaBeiija drag family, La Beija also served as a principle dancer in the pilot for the television series Pose.) Born in 1990, La Beiija shares both childhood ephemera from her personal archives and poetry, video art, and photographs, including self-portraiture.

Location: Fotografiska, New York
Price: general admission $26
Time: 9 a.m.–9 p.m.

—Sarah Cascone

 

Through Saturday, June 4

Peter Uka, <i>Basement Barbers</i> (2018). Image courtesy the artist and Mariane Ibrahim, Chicago and Paris Private collection

Peter Uka, Basement Barbers (2018). Image courtesy the artist and Mariane Ibrahim, Chicago and Paris Private collection

11. “Peter Uka: Remembrance” at FLAG Art Foundation, New York

This just-opened show (March 12) marks the first New York solo exhibition for Nigerian-born artist Peter Uka, who lives in Cologne, Germany. His large-scale portraits and group scenes are inspired by his childhood memories, and feature 1970s-era fashion, hairstyles, and interiors. They celebrate the richness of life with attention to detail, including boys fresh from the barbershop and ready for mass in their Sunday best, characters playing cards on a shaded porch, or a group in disco-style clothing dancing exuberantly. Uka, who is represented by Mariane Ibrahim Gallery, studied at the Yaba College of Technology in Nigeria, and later at Germany’s Kunstakademie Düsseldorf, where he was taught by Tal R and Eberhard Havekost.

Location: FLAG Art Foundation, 545 West 25th Street, Ninth Floor, New York
Price: Free
Time: Wednesday–Saturday, 11 a.m.–5 p.m.

—Eileen Kinsella

 

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