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Editors’ Picks: 11 Events for Your Art Calendar This Week, From Derrick Adams’s Unicorn Playground to Kiki Kogelnik’s Portraits | Artnet News

Editors’ Picks: 11 Events for Your Art Calendar This Week, From Derrick Adams's Unicorn Playground to Kiki Kogelnik's Portraits | Artnet News

Each week, we search for the most exciting and thought-provoking shows, screenings, and events, both digitally and in-person in the New York area. See our picks from around the world below. (Times are all ET unless otherwise noted.)

 

Monday, June 27–Friday, July 29

Dorika, North Kivu, Democratic Republic of Congo © Finbarr O'Reilly for Fondation Carmignac / ICC A survivor of rape in conflict, Dorika, now 18, makes and sells clothes for a living. She plans to save enough money to buy her own small plot of land to build a home for herself and her daughter.

Dorika, North Kivu, Democratic Republic of Congo © Finbarr O’Reilly for Fondation Carmignac / ICC
A survivor of rape in conflict, Dorika, now 18, makes and sells clothes for a living. She plans to save enough money to buy her own small plot of land to build a home for herself and her daughter.

1. “Life After Conflict: Stories as Told to ICC Outreach by Survivors of the World’s Worst Crimes” at the United Nations, New York

The series “Life After Conflict” shares some of the stories witnessed by outreach staff of the International Criminal Court (ICC) and documented through the lenses of photographers Rena Effendi, Pete Muller, and Finbarr O’Reilly. The exhibition spans five countries—the Central African Republic, the Republic of Côte d’Ivoire, the Democratic Republic of Congo, the Republic of Georgia, and the Republic of Uganda. Among the common threads and themes are home and land, what is lost when one is displaced by conflict, family and connection, and leadership and support.

Location: United Nations headquarters, visitors’ lobby, First Avenue at 46th Street, New York.
Price: Free
Time: Monday–Friday, 9 a.m.–5 p.m.

—Eileen Kinsella

 

Tuesday, June 28–Thursday, June 30

Paul Maheke, A fire circle for a public hearing (2018), installation view, at Chisenhale Gallery, London. Photo by Mark Blower, courtesy of High Line Art, New York.

Paul Maheke, A fire circle for a public hearing (2018), installation view, at Chisenhale Gallery, London. Photo by Mark Blower, courtesy of High Line Art, New York.

2. “Paul Maheke: A Fire Circle for a Public Hearing” at the High Line, New York

French sculptor, performance, installation, and video artist Paul Maheke presents A fire circle for a public hearing, a performance about the formation of history, memory, and identity, in the U.S. for the first time. Performers Morgan “Emme” Bryant, Lucy Hollier, and Rafaelle Kennibol-Cox will channel various identities in the politically engaged work, which considers the body’s ability to act as a personal and historical archive.

Location: High Line at 14th Street, New York
Price: Free, RSVP encouraged
Time: 7 p.m.

—Sarah Cascone

 

Wednesday, June 29

Steven Evans, <em>Songs for a Memorial</em> (2020-22). Photo courtesy of the New York City AIDS Memorial.

Steven Evans, Songs for a Memorial (2020–22). Photo courtesy of the New York City AIDS Memorial.

3. “Dance for a Memorial” at AIDS Memorial Park, New York

At the beginning of Pride Month, the New York City AIDS Memorial unveiled Steven Evans’s Songs of a Memorial (through September 6), adorning the permanent monument with 12 text-based, polychromatic, LED sculptures. To celebrate the close of the month-long celebration, DJ Lady Bunny and DJ Lina Bradford will lead a silent disco at the site—just leave an ID or a credit card for a free set of headphones.

Location: AIDS Memorial Park, St. Vincent’s Triangle, 76 Greenwich Avenue, New York
Price: Free
Time: 7 p.m.–9 p.m.

—Sarah Cascone

Tuesday, June 28–Tuesday, June 27, 2023

Fred Wilson, <em>Mind Forged Manacle/Manacle Forged Minds</em>, rendering. Image courtesy of Fred Wilson and More Art.

Fred Wilson, Mind Forged Manacle/Manacle Forged Minds, rendering. Image courtesy of Fred Wilson and More Art.

4. “Mind Forged Manacles/Manacle Forged Minds” at Columbus Park, Brooklyn

Fred Wilson presents his first-ever large-scale public sculpture, a 10-foot-tall fence installation featuring decorative ironwork and statues of African figures. A project with More Art and the Downtown Brooklyn and Dumbo Art Fund with New York City’s Art in the Parks program, the gates in the piece reference both the incarceration of Black men and immigrant detainees, as well as wealthy gated communities. It’s a reflection on barriers and separation in society, both physical and psychological.

Location: Columbus Park on the plaza between Johnson Street and Montague Street, Brooklyn
Price: Free (RSVP for opening reception)
Time: Opening reception, 6 p.m.–7:30 p.m.; on view daily at all times

—Sarah Cascone

 

Wednesday, June 29–Friday, September 9

"Derrick Adams: Funtime Unicorns" (rendering). Image courtesy of Art Production Fund.

“Derrick Adams: Funtime Unicorns” (rendering). Image courtesy of Art Production Fund.

5. “Derrick Adams: Funtime Unicorns” at Rockefeller Center, New York

Derrick Adams looks to bring Black joy to the heart of Midtown Manhattan with his new Art Production Fund public installation Funtime Unicorns, featuring interactive black unicorn sculptures-cum-playground toys. The figure of the black unicorn first appeared in Adams’s “Floater” painting series, of portraits of Black people resting on pool floats that the artist later fabricated as actual inflatables. Now, kids will be able to play on a coiled spring playground rocker version of the colorful figure, for a project that pushes back against the narrative that Black art needs to foreground pain and suffering, rather than joy and play.

Location: Rockefeller Center, Channel Gardens, between Fifth Avenue and Rockefeller Plaza, New York
Price: Free
Time: On view daily at all times

—Sarah Cascone

 

Through Thursday, June 30

“Georgia Dymock: Eyes Closed, Wide Open,” installation view, Courtesy of JD Malat Gallery.

6. “Georgia Dymock: Eyes Closed, Wide Open” at JD Malat Gallery, New York

This is the last week to catch British artist Georgia Dymock’s solo exhibition at JD Malat Gallery’s New York location. Dymock plays with the notions of femininity and identity, where her work is influenced by her study of anthropology. There are 10 new paintings in her signature style, with curvy, joyous figures partaking in everyday activities.

Location: JD Malat Gallery, 508 West 28th Street, New York
Price: Free
Time: Tuesday–Saturday, 11 a.m.–6 p.m.

—Neha Jambhekar

 

Saturday, July 2–Sunday, July 31

Eddie Martinez, DDSE (Flower up-close and personal 2 (2022). Photo by Jeffrey Sturges, courtesy the artist, Dieu-Donné, Brooklyn, and the South Etna Montauk Foundation, Montauk. Sam Moyer, Not Yet Titled (2022). Photo by JSP Art Photography, courtesy the artist, Sean Kelly Gallery, New York, and the South Etna Montauk Foundation, Montauk.

Eddie Martinez, DDSE (Flower up-close and per- sonal 2 (2022). Photo by Jeffrey Sturges, courtesy the artist, Dieu-Donné, Brooklyn, and the South Etna Montauk Foundation, Montauk. Sam Moyer, Not Yet Titled (2022). Photo by JSP Art Photography, courtesy the artist, Sean Kelly Gallery, New York, and the South Etna Montauk Foundation, Montauk.

7. “Eddie Martinez and Sam Moyer” at the South Etna Montauk Foundation

It seems like artist spouses have always been drawn to Long Island’s East End, from Elaine and Willem de Kooning and Jackson Pollock and Lee Krasner to contemporary power couple Eric Fischl and April Gornik. The latest husband and wife duo to make waves on the North Fork are Eddie Martinez and Sam Moyer, the subject of a joint outing at Amalia Dayan and Adam Lindemann’s non-profit space South Etna Montauk Foundation. Featured works include stone paintings and concrete backgammon boards by Moyer as well as new paper-pulp paintings Martinez made during a recent residency at Dieu-Donné in Brooklyn. The show coincides with the artists’ taking over the annual “Sculpture in the Garden” exhibition at the Landcraft Garden Foundation in Mattituck, New York (through October 29).

Location: South Etna Montauk Foundation, 6 South Etna Avenue, Montauk, New York
Price: Free
Time: Saturday and Sunday, 12 p.m.–5 p.m., Fridays by appointment

—Sarah Cascone

Through Saturday, July 8

"Kiki Kogelnik: Women" at Mitchell-Innes and Nash, New York. Photo courtesy of Mitchell-Innes and Nash, New York.

“Kiki Kogelnik: Women” at Mitchell-Innes and Nash, New York. Photo courtesy of Mitchell-Innes and Nash, New York.

8. “Kiki Kogelnik: Women” at Mitchell-Innes and Nash, New York

Mitchell-Innes and Nash’s second solo presentation of Kiki Kogelnik comes on the heels of the artist’s posthumous inclusion in the current Venice Biennale. It features 10 of her graphic, boldly colorful paintings and 21 works on paper, dating from 1962 to 1985. Kogelnik’s depictions of women seemingly in search of personal determination were inspired by her own struggles as a woman artist, such as when she and her fiance, artist Arnulf Rainer, moved in together and she was relegated to the attic, while he got a whole floor as a studio.

Location: Mitchell-Innes and Nash, 534 West 26th Street, New York
Price: Free
Time: Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

 

Through Friday, July 15

Zinaïda, <em>Dakini</em>, still. Photo courtesy of Sapar Contemorary, New York.

Zinaïda, Dakini, still. Photo courtesy of Sapar Contemorary, New York.

9. “Women and Other Wild Creatures: Matrilineal Tales” at Sapar Contemporary, New York

A quartet of women artist from Ukraine are among those featured in this group show inspired by photographs of generations of women fleeing the country, and of the destruction of the landscape, following the Russian invasion in February. Each artist presents nature as a source of strength for women as they look to move forward in this time of crisis, drawing on rituals and healing practices. Works on view include Dakini, a video by Ukrainian artist Zinaïda, filmed in a remote Ukrainian village and celebrating the role of women in the regions cultural traditions.

Location: Sapar Contemporary, 9 N. Moore Street, first floor, New York
Price: Free
Time: Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

 

Through Saturday, July 16

Alexandra Rubinstein, The Moon Also Rises 1 (2022). Courtesy the artist and Mother.

Alexandra Rubinstein, The Moon Also Rises 1 (2022). Courtesy the artist and Mother.

10. “Alexandra Rubinstein: The Moon Also Rises” at Mother, New York

Nude men become larger than life landscapes in Alexandra Rubinstein’s oil-on-canvas paintings. It’s easy to miss the sexual imagery at a quick glance, but those are six-pack abs and a flaccid penis, not desert dunes; firm butt cheeks, not rounded hills, with waterfalls cascading down muscular backs. It’s a natural progression from the artist’s 2019 series “Dick Diaries,” which featured person-sized male genitalia working at laptops, lying on the couch, and in other everyday situations. But the meaning is darker this time around, inspired by the impending climate crisis, which Rubinstein view as a consequence of cis male complacency and inaction.

Location: Mother, 368 Broadway, Fourth Floor, Suite 415, New York
Price: Free
Time: Tuesday–Thursday, 12 p.m.–6 p.m.; 10 a.m.–4 p.m.

—Sarah Cascone

 

 

Through Sunday, July 31

Estefania Puerta, Tierna Tierra(2020). Courtesy of the Fortnight Insitute

Estefania Puerta, Tierna Tierra (2020). Courtesy of the Fortnight Insitute.

11. “Ashes Denote That Fire Was” at the Fortnight Institute, New York

Fire speaks to the primordial part of the human experience, and comes to us with tales of magic and trickery—most famously as the Greek god Prometheus’s defiant gift to humanity. This intimate group show at Fortnight Institute brings together works by 12 contemporary artists who in some way allude to the element’s enduring lure—from the fiery passions of love to the quest for survival in the wilderness of our times. The exhibition title references a poem by Emily Dickinson, and the works on view do often possess the hauntingly unsaid qualities of verse. Krystel Cárdenas’s beeswax sculpture Reliquary Box, Pendant, and Candles conjures up visions of cloistered prayer, while the softness of the materials, one realizes, would quickly dissolve near the heat of a flame. Meanwhile, Lizette Hernandez’s ceramic works themselves have been hardened into enduring shapes through exposure to the element. The aura of the exhibition is sacrosanct and ancient and enduring and the works on view offer a moment of respite and contemplation amid the tumult of the news cycle.

Location: Fortnight Institute, 21 East 3rd Street, New York
Price: Free
Time: Wednesday–Sunday, 12 p.m.–6 p.m.

—Katie White

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Editors’ Picks: 17 Events for Your Art Calendar This Week, From Louise Bourgeois’s Painting at the Met to the Public Art Fund’s Party | Artnet News

Editors’ Picks: 17 Events for Your Art Calendar This Week, From Louise Bourgeois's Painting at the Met to the Public Art Fund's Party | Artnet News

Each week, we search for the most exciting and thought-provoking shows, screenings, and events, both digitally and in-person in the New York area. See our picks from around the world below. (Times are all ET unless otherwise noted.)

 

Monday, April 11–Saturday, June 11

An installation view of “Jean-Michel Basquiat: Art and Objecthood.” Courtesy: Nahmad Contemporary. Photo: Katya Kazakina.

1. “Jean-Michel Basquiat: Art and Objecthood” at Nahmad Contemporary, New York

There’s a lot to discover in this timely exhibition, curated by Basquiat scholar Dieter Buchhart. The show explores the role of found objects and unconventional materials in the artist’s short yet prolific oeuvre. A punching bag, a refrigerator, a filing cabinet, a child’s easel, wooden doors, and window framesBasquiat found all kinds of discarded and dormant items on the streets of New York and in his studio. Their transformation into works of art (some extremely expensive works of art) is exhilarating to behold, a testament to a creative process like no other. Sculpture, painting, and street art all come together in this dynamic, generous survey of 46 works. Some have appeared at auction, others come from private collections, the Basquiat estate, and Fondation Louis Vuitton. A football helmet with lumps of Basquiat’s own hair attached to it is dedicated to Andy Warhol (under the nickname “Skinny”). A punching bag, with old blood spots, is inscribed “Mary Boone,” the artist’s early dealer.

Location: Nahmad Contemporary, 980 Madison Avenue, New York
Price: Free
Time: Opening, 6 p.m.–8 p.m.; Tuesday–Saturday, 11 a.m.–6 p.m.

—Katya Kazakina

 

Tuesday, April 12

Rocking Chair, (1950-1953,) Charles Eames and Ray Eames. Made for the Herman Miller Furniture Company. Image courtesy the Philadelphia Show

Charles Eames and Ray Eames, Rocking Chair (1950-1953). Made for the Herman Miller Furniture Company. Image courtesy the Philadelphia Show

2. “What Is Design” at the Philadelphia Show

In this virtual conversation, Philadelphia Museum of Art assistant curators Alisa Chiles and Colin Fanning discuss how the institution deals with the complexities of a seemingly simple question: “what is design?” Highlighting examples from the museum’s collection and past exhibitions, they explore what it means to collect and display Modern and contemporary design in an art-museum context.

Price: Free with registration
Time:  5:30 p.m.

—Eileen Kinsella

 

Tuesday, April 12–Sunday, August 7

Louise Bourgeois in the studio of her apartment at 142 East 18th Street (ca. 1946). Photo ©the Easton Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York.

Louise Bourgeois in the studio of her apartment at 142 East 18th Street (ca. 1946). Photo ©the Easton Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York.

3. “Louise Bourgeois: Paintings” at the Metropolitan Museum of Art, New York

The Met celebrates the great French-American sculptor Louise Bourgeois’s under-appreciated paintings in this show of works made after her arrival in New York in 1938 and her embrace of sculpture in the late 1940s. In her first major painting show in 40 years, the museum aims to illustrate how this little-known chapter of the artist’s career contains themes and imagery that stayed with her for decades to come, informing and shaping Bourgeois’s mature work.

Location: The Met Fifth Avenue, 1000 Fifth Avenue, New York
Price: $25 general admission
Time: Sunday–Tuesday and Thursday, 10 a.m.–5 p.m.; Friday and Saturday, 10 a.m.–9 p.m.

—Sarah Cascone

 

Wednesday, April 13

 

Oscar Muñoz, El Editor Solitario (2011), still. Courtesy of the Blanton Museum of Art, the University of Texas at Austin.

Oscar Muñoz, El Editor Solitario (2011), still. Courtesy of the Blanton Museum of Art, the University of Texas at Austin.

4. “Artist-Led Tour of ‘Oscar Muñoz: Invisibilia‘” at the Blanton Museum of Art at the University of Texas in Austin

Colombian artist Oscar Muñoz gives a virtual tour of his first U.S. retrospective, “Invisibilia,” on view at the Blanton through June 5. He’ll speak with curator Vanessa Davidson about how his non-traditional photography-based work is inspired by themes of identity, political freedom, and historical subjectivity.

Price: Free with registration
Time: 1 p.m.–2 p.m.

—Sarah Cascone

 

Thursday, April 14

 

Mary Sibande, Ascension of the Purple Figure (2016). Photo courtesy of Kavi Gupta, Chicago,

Mary Sibande, Ascension of the Purple Figure (2016). Photo courtesy of Kavi Gupta, Chicago,

5. “Intersectional Forms: Curating Across Shifting Cultural Landscapes” at the Armory Show, New York

New York’s Armory Show is still a long ways off, but the September fair is already drumming up the hype with a virtual talk previewing its curated “Focus” and “Platform” sections. For the former, Carla Acevedo-Yates, curator at the Museum of Contemporary Art (MCA) Chicago, is presenting artist projects about how environmental issues relate to race and gender. In the latter, Tobias Ostrander, adjunct curator of Latin American Art at Tate, London, is showing large-scale installations and site-specific works with a theme of “Monumental Change.”

Price: Free with registration
Time: 1 p.m.

—Sarah Cascone

 

Guests playing B. Wurtz's Pistachio Toss game at the Public Art Fund 40th anniversary celebration. Courtesy of Max Lakner/BFA.

Guests playing B. Wurtz’s Pistachio Toss game at the Public Art Fund 40th anniversary celebration. Courtesy of Max Lakner/BFA.

6. “2022 PAF Party” at the Metropolitan Pavilion, New York

The Public Art Fund gala is reliably one of the most enjoyable art benefit events each year, in large part because guests can participate in interactive games and photo ops designed by artists like Farah Al Qasimi, Wyatt Kahn, and Claudia Wieser—and, if you’re lucky, you could even win an original work of art. (There will also a silent auction of donated works on offer to benefit the nonprofit.) Bold-faced names promised to be in attendance include Bachelor lead Matt James, and one of his former suitors, Kit Keenan, and her mother, fashion designed Cynthia Rowley, plus a bevy of A-list gallerists and artists such as Hank Willis Thomas.

Location: Metropolitan Pavilion, 125 West 18th Street, New York
Price: Dinner tickets from $1,500 ($300 for young patron); $100 after party tickets
Time: Cocktails, 6:30 p.m.; dinner 8 p.m.; after party, 9:30 p.m.

—Sarah Cascone

 

Thursday, April 14–Monday, May 2

 

Renee Cox, The Self Similarity of the Selfie (2016). Courtesy of Hannah Traore Gallery, New York.

Renee Cox, The Self Similarity of the Selfie (2016). Courtesy of Hannah Traore Gallery, New York.

7. “Renee Cox: Soul Culture” at Hannah Traore Gallery, New York

Drawing on fashion photography and graphic design, as well as her own experience modeling, Renee Cox has created her own unique body of work celebrating Black women. In her first New York solo show since 2006, Cox presents fractal-like canvases that deconstruct the human body, reclaiming control of the representation of her subjects.

Location: Hannah Traore Gallery, New York
Price: Free
Time: Opening reception, Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

 

Saturay, April 16–Friday, May 20

"Jacques Jarrige: Christ Sculpture" at Saint John the Divine Cathedral Church, New York. Photo courtesy of Saint John the Divine Cathedral Church, New York.

“Jacques Jarrige: Christ Sculpture” at Saint John the Divine Cathedral Church, New York. Photo courtesy of Saint John the Divine Cathedral Church, New York.

8. “Jacques Jarrige: Christ Sculpture” at Saint John the Divine Cathedral Church, New York

Just in time for Easter, Saint John’s is unveiling a 10-foot tall hammered aluminum sculpture in its nave, hanging 90 feet above the ground. An abstract figure of of Christ by Jacques Jarrige, the piece has been shrouded throughout Lent, but will be unveiled ahead of Saturday night’s Easter Vigil mass. The artist also has a simultaneous solo show, “Upstrokes and Downstrokes,” on view April 16 to June 24, at Valerie Goodman Gallery.

Location: Saint John the Divine Cathedral Church, New York
Price: Free
Time: Monday–Friday, 9:30 a.m.–3 p.m.; Saturday and Sunday, 9:30 a.m.–6 p.m.

—Sarah Cascone

 

Friday, April 15–Saturday, May 28

Xiao Wang, Monkey Mind, 2022 Courtesy of Deanna Evans Projects

9. “Xiao Wang: Liminal Blue” at Deanna Evans Projects, New York

Make sure to see Chinese artist Xiao Wang’s solo exhibition at Deanna Evans Projects this week. Based in Brooklyn, Wang gives his canvases a dream-like quality where vegetation in jewel-toned hues of blues and purples obscures figures, usually himself or his friends. “Depicting scenes with maximalist settings, often inspired by real-life protagonists, in obscure, minimal backgrounds, the paintings lead viewers to feel a sense of uncertainty or disorientation,” says the gallery.

Location: Deanna Evans Projects, 373 Broadway, E15, New York
Price: Free
Time: Opening Reception, Friday, 6 p.m.–8 p.m.; Wednesday–Saturday, 12 p.m.–6 p.m.

—Neha Jambhekar

 

Friday, April 15–Sunday, July 10

 Genesis P-Orridge and Lady Jaye Breyer. Photo by Laure Leber.

Genesis P-Orridge and Lady Jaye Breyer. Photo by Laure Leber.

10. “Breyer P-Orridge: We Are But One” at Pioneer Works, Brooklyn

Life partners Genesis Breyer P-Orridge (1950–2020) and Lady Jaye Breyer P-Orridge (1969–2007) get their first major posthumous presentation in the U.S. In their joint Pandrogyne project, the two spent 20 years undergoing plastic surgery with the goal of becoming a single “pandrogynous” being named Breyer P-Orridge. Blending pronouns—Genesis went by s/he and he/r—and embracing body modification, the duo defied the roles of biological sex long before the concept of gender fluidity hit the mainstream cultural discourse. The show also includes a large-scale shrine installation designed by Genesis’s daughter Genesse P-Orridge in collaboration with exhibition curator Benjamin Tischer, inspired by Breyer P-Orridge’s travels in the Himalayas and the influence that Buddhism and Eastern spirituality had on their practice.

Location: Pioneer Works, 133 Imlay Street, Brooklyn (temporary satellite location)
Price: Free
Time: Wednesday–Sunrday, 1 p.m.–8 p.m.

—Sarah Cascone

 

Saturday, April 16

 

Jordan Belson, Untitled (ca. 1970). Photo courtesy of Matthew Marks, New York.

Jordan Belson, Untitled (ca. 1970). Photo courtesy of Matthew Marks, New York.

11. “Jordan Belson: An Evening of Film, Audio, and Visual Rarities” at Anthology Film Archives, New York

Anthology Film Archives presents six rarely-screened short films by Jordan Belson (1926–2011), an important figure in 20th-century avant-garde cinema. The evening is timed to the artist’s current solo show of never-before-seen 1970s torn-paper collages at New York’s Matthew Marks Gallery (through April 23). Some of these abstract landscapes were inspired by the view out of his window of San Francisco Bay and the surrounding hills. Other, more otherworldly examples actually served as backdrops in INFINITY (1979) and APOLLO (1982), two of the films included in the program.

Location: Anthology Film Archives, Maya Deren Theater, 32 2nd Avenue, New York
Price: $12 general admission
Time: 7:30 p.m.

—Sarah Cascone

 

Through Saturday, April 16

 

Kay WalkingStick, Eastern Slope (2017). Courtesy of Hales New York.

Kay WalkingStick, Eastern Slope (2017). Courtesy of Hales New York.

12. “Kay WalkingStick: Mountains/Canyons/Clouds” at Hales Galley, New York

In her first show with Hales Gallery, Kay WalkingStick presents paintings of the North American landscape made over the last decade, inspired by her own sense of connection to the earth as well as researching the Native American histories of each scenic vista. Each view is overlaid with Indigenous designs, some taken from the archives of the Smithsonian’s National Museum of the American Indian.

Location: Hales New York, 547 West 20th Street, New York
Price: Free
Time: Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

Installation view of “De Kooning/Shiraga” at Mnuchin Gallery, New York, in collaboration with Fergus McCaffrey. ©2022 the Willem de Kooning Foundation/Artists Rights Society (ARS), New York; Estate of Kazuo Shiraga. Photo by Nico Gilmore.

Installation view of “De Kooning/Shiraga” at Mnuchin Gallery, New York, in collaboration with Fergus McCaffrey. ©2022 the Willem de Kooning Foundation/Artists Rights Society (ARS), New York; Estate of Kazuo Shiraga. Photo by Nico Gilmore.

13. “De Kooning/Shiraga” at Mnuchin Gallery, New York

It’s hard to believe that Mnuchin’s collaboration with Fergus McCaffrey gallery represents the first exhibition solely dedicated to the works of New York’s Abstract Expressionist Willem de Kooning (1904-1997) and Japan’s Gutai master Kazuo Shiraga (1924–2008). The formal affinity between these two artists’ gestural bravado is so striking and visceral, you can’t help but wonder: What took so long? For the lovers of abstract painting, there’s probably no better exhibition in town at the moment. Run, don’t walk to catch it before it closes.

Location: Mnuchin Gallery, 45 East 78th Street, New York
Price: Free
Time: Tuesday–Saturday, 11 a.m.–6 p.m.

—Katya Kazakina

 

PhoebeNewYork, New York, New York (2022). Photo by Eileen Kinsella

PhoebeNewYork, New York, New York (2022). Photo by Eileen Kinsella.

14. “New York on Paper” at West Chelsea Contemporary Gallery, New York

PhoebeNewYork, an alter ego character for artist Libby Schoettle, is a highlight of the “New York on Paper” show that ends this Saturday. The character first appeared in collages created with found objects, such as vintage photographs, magazine pages, clothing, old books, record covers, and the occasional Pop art element.

Schoettle is drawn to materials that have been owned and handled by others, and that will remain intact over time (or not). From the streets of New York to Philadelphia, Los Angeles, London, and Berlin, Schoettle reveals her own vulnerability, raw emotions, and witty observations through PhoebeNewYork‘s dark and funny explorations. The striking images are accompanied by thought-provoking bursts of text.

Location: West Chelsea Contemporary, 231 Tenth Ave, New York
Price: Free
Time: Monday-Wednesday 10 a.m.–6 p.m.; Thursday 10 a.m.-8 p.m.; Friday and Saturday 10 a.m.-6 p.m.; Sunday 12-6 p.m.

—Eileen Kinsella

 

Through Sunday, April 17

 

Marcy Hermansader, Shall My Heart Become a Tree (2019). Photo courtesy of Mother Gallery, New York.

Marcy Hermansader, Shall My Heart Become a Tree (2019). Photo courtesy of Mother Gallery, New York.

15. “Marcy Hermansader: Shall My Heart Become a Tree” at Mother Gallery, New York

Marcy Hermansader’s first solo show at Mother Gallery includes both recent works and pieces from the late 1980s. Across the years, the seven paintings share a dark fairy tale vibe. “Fragments from postcards act as windows into other realities—specific moments of time and place that can serve as source and center,” Hermansader says in her artist statement. “Leaves may appear jewel-like in colored pencil, painted thick or thin with gouache or acrylic, embossed with a hard pencil in tiny patterns, or dotted with fingertips dipped in paint.”

Location: Mother Gallery, 368 Broadway #415, New York
Price: Free
Time: Opening reception, 12 p.m.–6 p.m.; Wednesday–Saturday, 12 p.m.–6 p.m.

—Nan Stewert

 

Through Monday, April 18

One of the cases from Yuji Agematsu, zip:01.01.20 . . .12:31.20 (2020). Photo by Ben Davis.

One of the cases from Yuji Agematsu, zip:01.01.20 . . .12:31.20 (2020). Photo by Ben Davis.

16. “Greater New York” at MoMA PS1, Queens

This weekend is your last chance to see the fifth edition of “Greater New York,” highlighting the work of New York City artists, including Yuji Agematsu’s tiny sculptures made of trash collected on the city streets in 2020. Each piece—one for each day of the year—is a delicate arrangement placed inside the cellophane wrapper of a cigarette carton, highlighting the unexpected beauty to be found even in our unwanted refuse.

Location: MoMA PS1, 22-25 Jackson Avenue, Queens
Price: $10 suggested admission, free for New Yorkers
Time: Opening reception, 12 p.m.–6 p.m.; Wednesday–Saturday, 12 p.m.–6 p.m.

—Sarah Cascone

 

Through Tuesday, April 19

 

Fernando Botero, Sphinx at 14th Street Square, New York. Photo courtesy of David Benrimon Fine Art.

Fernando Botero, Sphinx at 14th Street Square, New York. Photo courtesy of David Benrimon Fine Art.

17. “Fernando Botero: Sphinx” at 14th Street Square, New York

David Benrimon Fine Art is celebrating Fernando Botero’s 90th birthday with a show at its East 57th Street gallery, plus a public art installation in the Meatpacking District of a bronze sphinx in his signature larger-than-life style.

Location: 14th Street Square, New York
Price: Free
Time: On view daily at all times

—Tanner West

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